Автор: Кун О.Н.
Издательство: АСТ: Восток-Запад
Год издания: 2008
isbn: 978-5-17-052647-5
Количество страниц: 192
Язык: русский
Формат: PDF
В книге рассмотрены 400 наиболее часто встречающихся иероглифов японского языка, их чтения и характерные сочетания. Издание адресовано школьникам, студентам начальных курсов вузов, а также лицам, самостоятельно изучающим японский язык. Пособие построено следующим образом. В качестве напоминания приводятся сведения о ключах и особенностях ключевой таблицы, о вариантах чтения иероглифов и иероглифических сочетаниях. После этого следует основной раздел, посвященный 400 наиболее употребляемым иероглифам. Здесь наряду сочетаниями, значениями, наиболее характерными сочетаниями иероглифов приводятся их ключевые формулы. В пособии используется русская транскрипция. Тщательный отбор информации делает пособие компактным и доступным для освоения начинающими изучать язык, вместе с тем систематизированные, приведенные в достаточном объеме сведения об иероглифах вполне позволяют рекомендовать пособие студентам начальных курсов вузов.
Автор: Заспа Петр
Издательство: Крылов
Год издания: 2013
isbn: 978-5-4226-0225-4
Количество страниц: 352
Язык: русский
Формат: FB2
Денис ищет, где бы заработать, подписывает договор и оказывается в научном центре в роли подопытного животного. Он убегает оттуда и вдруг - перемещается под Кенигсберг. Весна сорок пятого, город окружен советскими войсками, вот-вот начнется штурм.
Автор: Дух Озорства
Издательство: Написано пером
Год издания: 2012
isbn: 978-5-905636-13-4
Количество страниц: 256
Язык: русский
Формат: FB2
Автор в изысканных литературных традициях описывает отношения с возлюбленной: от внешних событий до гребаной психической глубины. Текст наркотический. Жанр: 100% реалити. Тема вечная: любовь, эротика, создание семьи.
Автор: Michael Siebenbrodt, Lutz Schobe
Издательство: Parkstone
Год издания: 2009
isbn: 1859956262
Количество страниц: 256
Язык: english
Формат: PDF
The Bauhaus movement is one of the most significant and consequential cultural emergence of the 20th century. Walter Gropius founded this institute of design in 1919 in Weimar and it was effective in Weimar, Dessau and Berlin. The various professors, Walter Gropius (1919-1928), Hannes Meyer (1928-1930), and Ludwig Mies van der Rohe (1930-1933), were also renowned architects of their time. The works of the Bauhaus artists, Lyonel Feininger, Wassily Kandinsky, Paul Klee, Gerhard Marcks, Oskar Schlemmer and László Moholy-Nagy as well as those of the students and young faculty members, Josef Albers, Herbert Bayer, Marcel Breuer, Gunta Stölzl and Joost Schmidt, were unanimously admired and aroused the interest of museums across the world. Their teachings in design are still observed in today's architecture and design schools and also in general art classes. The products of the Bauhaus, such as Marcel Breuer's well-known steel pipe furniture, became inexpensive classic design standards. The Bauhaus buildings have made architectural history and are now UNESCO World Heritage sites. The authors shed light on the evolution and connection of the Bauhaus with other movements, and render it easily comprehensible to the reader.
Автор: Vincent Arthur Smith
Издательство: Parkstone
Год издания: 2012
isbn: 184484806X
Количество страниц: 256
Язык: english
Формат: PDF
India, with its extensive and colourful history, has produced an artistic tradition in many forms: architecture, painting, sculpture, calligraphy, mosaics, and artisan products all display the country’s cultural, religious and philosophical richness. From Hinduism, with its pantheon of imagery of gods, goddesses, animals and many other figures, to Islam, with its astounding architecture and intricate calligraphy, the many facets of India have given rise to a fascinating and beautiful collection of artworks. Featuring incredible images and a text written by a renowned scholar on the subject, this work offers an in-depth look at the masterpieces of India, showcasing this fascinating country and her artists and covering a wide range of styles and techniques.
Автор: Gaston Migeon, Henri Saladin
Издательство: Parkstone
Год издания: 2009
isbn: 184484658X
Количество страниц: 256
Язык: english
Формат: PDF
Islamic art is not the art of a nation nor of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God was prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra or the Alhambra in Granada, architectural works in which one recognises the stylisation of motives of the Muslim ceramics. Lively and coloured, Islamic art mirrors the richness of people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God
Автор: Peter Leek
Издательство: Parkstone
Год издания: 2012
isbn: 1859959393
Количество страниц: 271
Язык: english
Формат: PDF
Russia is often viewed as the outsider of the art world, with creative genius frequently being hidden behind the representation of icons such as Rublov. However, with the succession of Pierre Le Grand, it was Europe which brought light to this otherwise ostensibly uncivilized empire. Saint-Petersburg suddenly rose out of the darkness thanks to the brilliance of an Italian artist, and for more than a century afterwards, became a highly important cultural focus. The all powerful Tsar, and later Catherine the Great allowed exchanges between Russian and European artists which eventually gave birth to a new Russian form of painting. Although this was greatly inspired by Italy and its vibrant colours, it stayed true to its foundations in Russian culture. However, it was not until the 20th century that a true national style came into its own with the emergence of the Ambulants and the Blue Roses. This was then followed by the revolutionary period which led to the Russian Avant Garde and then modernism. In this book, we come to understand the author's viewpoint on Russian culture as a combination of western culture as well as eastern. These influences are demonstrated in the works and cover a vast pictorial scope. Artists such as Borovikovsky, Serov, Vrubel, Briullov, Fedotov, Repin, Shishkin and Levitan, among many others, bring their own fundamental contribution to the history of art. Peter Leek puts the evolution of the history of Russian art after the fall of communism into perspective.
Автор: Evgueny Kovtun
Издательство: Parkstone
Год издания: 2007
isbn: 1859956785
Количество страниц: 199
Язык: english
Формат: PDF
The Russian Avant-Garde was born at the turn of the 20th century in pre-revolutionary Russia. Intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-Garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevitch, Gontcharova, Larionov, and Tatline, to name but a few, had a definitive impact on 20th-century art.
Автор: Nathalia Brodskaia
Издательство: Parkstone
Год издания: 2009
isbn: 1859950183
Количество страниц: 256
Язык: english
Формат: PDF
The Dada movement and then the Surrealists appeared in the First World War aftermath with a bang: revolution of thought, creativity, and the wish to break away from the past and all that was left in ruins. This refusal to integrate into the Bourgeois society lead Georg Grosz to remark of Dada, "it's the end of-isms." Breton asserted that Dada does not produce perspective, "a machine which functions full steam, but where it remains to be seen how it can feed itself." Surrealism emerged amidst such feeling. These artists often changed from one movement to another. They were united by their superior intellectualism and the common goal to break from the norm. Describing Dada with its dynamic free-thinkers, and the Surrealists with their aversive resistance to the system, the author brings a new approach which strives to be relative and truthful. Provocation and cultural revolution: Dada and the Surrealists, aren't they above all just a direct product of creative individualism in this unsettled period?
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