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50 художников. Шедевры русской живописи (2010 No.05) - Врубель |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: Коллектив авторов
Издательство: DeAgostini
Год издания: 2010
Количество страниц: 32
Язык: русский
Формат: PDF
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Коллекционное издание, рассказывающее о 50 великих русских художниках. Каждый выпуск журнала состоит из шести постоянных разделов, всесторонне освещающих жизнь и творчество его героя. В номере можно найти уникальный разбор картин в деталях, описание стилей и техник, увлекательное описание жизни и творчества художника. |
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50 художников. Шедевры русской живописи (2010 No.04) - Репин |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: Коллектив авторов
Издательство: DeAgostini
Год издания: 2010
Количество страниц: 32
Язык: русский
Формат: PDF
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Коллекционное издание, рассказывающее о 50 великих русских художниках. Каждый выпуск журнала состоит из шести постоянных разделов, всесторонне освещающих жизнь и творчество его героя. В номере можно найти уникальный разбор картин в деталях, описание стилей и техник, увлекательное описание жизни и творчества художника. |
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50 художников. Шедевры русской живописи (2010 No.01) - Шишкин |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: Коллектив авторов
Издательство: DeAgostini
Год издания: 2010
Количество страниц: 40
Язык: русский
Формат: PDF
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Коллекционное издание, рассказывающее о 50 великих русских художниках. Каждый выпуск журнала состоит из шести постоянных разделов, всесторонне освещающих жизнь и творчество его героя. В номере можно найти уникальный разбор картин в деталях, описание стилей и техник, увлекательное описание жизни и творчества художника. |
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The History of Art: The Essential Guide to Painting Through the Ages |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: A.N. Hodge
Издательство: Arcturus foulsham
Год издания: 2007
isbn: 057203377X
Количество страниц: 208
Язык: english
Формат: PDF
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This work takes a fascinating and thought-provoking look at the major movements in the history of Western painting. It provides information about the topic ranging from the glories of High Renaissance Italy through the Romantics and Impressionists to the radical Abstract Expressionists. It contains a beautiful and colourful illustrated summary of painting's greatest works.
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The Art of the Franciscan Order in Italy |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: William R. Cook
Издательство: Brill Academic Pub
Год издания: 2005
isbn: 9004131671
Количество страниц: 298
Язык: english
Формат: PDF
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This volume of essays, by a group of scholars from the United States and Great Britain, presents a panoramic look at the study of Franciscan art in late medieval and early Renaissance Italy. In addition to being important case studies, the articles suggest a range of methodologies and interdisciplinary perspectives on important works of art. Senior scholars who have worked in the field for decades are joined by a new generation of researchers in the field. New studies of the Basilica in Assisi as well as innovative looks at early panel paintings and Franciscan stained glass are included. Those who study the Franciscan tradition as well as art historians, historians, literary critics, and theologians will find the studies relevant to their work.
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Early Netherlandish Paintings: Rediscovery, Reception, and Research |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: Henk van Veen, Bernhard Ridderbos
Издательство: Amsterdam University Press
Год издания: 2005
isbn: 9053566147
Количество страниц: 554
Язык: english
Формат: PDF
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The so-called Flemish Primitives, a group of fifteenth-century painters from the southern Netherlands, acquired their name in the nineteenth century. Among them were world-famous artists such as Rogier van der Weyden, Hans Memling, the brothers Van Eyck, and Huge van der Goes. Their masterpieces, oil paintings minutely detailed in luminous color, are a high point of Western European art, which, together with the Italian Renaissance paintings, laid the foundations for modern art. This book focuses on the artistic, religious, and social significance of their art and its iconographic interpretations, as well as how the paintings themselves were collected, evaluated, and studied over the centuries. |
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Art in the Third Reich |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: Berthold Hinz
Издательство: Random House, Inc.
Год издания: 1976
isbn: 0394416406
Количество страниц: 270
Язык: english
Формат: PDF
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According to Hinz's introduction, oppressed people of the art world are typically sympathized with in history, but it is his intention to explore the art that was promoted by the state rather than the oppressed art. He does this well and one possible reason is because he does give a brief overview of what was considered degenerate art. This is useful to a reader who has little knowledge of different styles of art. Although the focus of his book is to show what was accepted art of the Third Reich, he also shows what it was not. Among the most common type of Degenerate Art are "Jewish" or "Bolshivik" art and modern art. He shows examples of all of these types of art, making it easier for the reader to identify the difference between Degenerate Art and art approved by the state. As Hinz points out, most works about Art in the Third Reich deal with Degenerate art, not art approved by the state. since Hinz made this statement, books dealing with particualr aspects of the Nazi art world have been published such as Degenerate Art. This book is edited by Stephanie Barron and Peter W. Guenther. This book chronicles an exhibit of Degenerate Art. The examination of Degenerate Art is the exact opposite of what Hinz was trying to accomplish. He wanted to draw attention to the neglected topic of National Socialist Art. One book, Art of the Third Reich, by Peter Adam is very similar to Hinz's book. It shows examples of art sanctioned by the Third Reich, but it was published in 1995, more than twenty years after the original publication of Hinz's book. For the time of its publication, Hinz's work was of a topic rarely the focus of literature. |
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Как рисовать песпективу |
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Категория: Рисование, живопись, Живопись, графика, скульптура, музеи |
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Автор: Дуг Дюбоск
Издательство: Попурри
Количество страниц: 66, ил
Язык: русский
Формат: PDF
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В книге даны четкие инструкции, примеры и фотографии помогут вам осознать, что такое перспектива в изобразительном искусстве, правильно выстраивать её и использовать при создании иллюзорного пространства в рисунках или картинах.
Для широкого круга начинающих художников. |
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Lessons from Michelangelo |
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Категория: Рисование, живопись, Живопись, графика, скульптура, музеи |
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Автор: Michael Burban
Издательство: Watson-Guptill Pubns
Год издания: 1986
isbn: 0823027481
Количество страниц: 1ё4
Язык: english
Формат: PDF
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The Author, Michael Burban, was a student of Robert Beverley Hale, and in his footsteps, he taught through dissecting old master drawings. There was no greater draughtsman than Michelangelo. Imagine how much can be learned from when one of the most respected artists of the Students art League, picks apart the drawings of Michelangleo. Lessons from Michelangelo. |
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The Drawings of Michelangelo and his Followers in the Ashmolean Museum |
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Категория: Рисование, живопись, Живопись, графика, скульптура, музеи |
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Автор: Paul Joannides
Издательство: Cambridge University Press
Год издания: 2007
isbn: 0521551331
Количество страниц: 508
Язык: english
Формат: PDF
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This volume comprises the fullest and most detailed catalogue of the drawings by and after Michelangelo in the Ashmolean Museum. It is one of the most important collections of drawings by this artist, which also includes drawings after his own by contemporaries that shed light on lost works as well as the artist's reputation and influence during the sixteenth century. The introduction provides a history of Michelangelo's drawings generally and also surveys the various types of drawing practiced by Michelangelo and an account of his development as a draughtsman.
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