| |
Rembrandt, Reputation, and the Practice of Connoisseurship |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Catherine Scallen
Издательство: Amsterdam University Press
Год издания: 2003
isbn: 9053566252
Количество страниц: 416
Язык: english
Формат: PDF
|
From 1870 to 1935, the first true catalogues raisonnés of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. This book, the first full-length study of this scholarly corpus, concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot, and Wilhelm Valentiner, whose articles and catalogues first shaped the modern conception of Rembrandt as a painter. In addition to analyzing their written work, Scallen addresses the social context of their connoisseurial practices, as shaped by their museum careers and their relationships with dealers and collectors.
|
|
| |
|
|
| |
Белороссовы-Малеевы. Три поколения художников-иконописцев |
|
|
Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
|
| |
| |
| |
|
Автор: А. Антипова, С. Митрофанова
Издательство: Белый город
Год издания: 2009
isbn: 978-5-7793-1664-4
Количество страниц: 62
Язык: русский
Формат: PDF
|
В книге описана жизнь трех поколений художников-иконописцев. В книге описаны их красочные картины.
|
|
| |
|
|
| |
Solving the Mystery of Watercolor |
|
|
Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
|
| |
| |
| |
|
Автор: Ron Ranson and David Taylor
Издательство: International Artist
Год издания: 2002
isbn: 1929834209
Количество страниц: 117
Язык: english
Формат: PDF
|
David Taylors Artwork and Ron Ransons commentary combine to produce an outstanding work on watercolour painting. David has the ability to simplify the most complex scene into a magical piece of artwork: displaying bold brush strokes with the ability to get it right first time; His use of positive and negative space is brilliant, clearly showing an understanding of watercolour and how to bring out the very essence of his chosen subjects so beautifully. |
|
| |
|
|
| |
Myth and Metamorphosis: Picasso's Classical Prints of the 1930s |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Lisa Florman
Издательство: MIT Press
Год издания: 2002
isbn: 0262561557
Количество страниц: 281
Язык: english
Формат: PDF
|
Previous studies of Picasso's involvement with the classical have tended to concentrate on the period immediately following the First World War, and to attribute that involvement to both the rise of political conservatism in France and the domesticating influence of the artist's marriage to Olga Koklova. Focusing instead on the later, classicizing prints of the 1930s, this book offers a radically different view of Picasso and the "classical"--a view that aligns his work much more closely with Surrealist, and specifically Bataillean, revisions of antiquity. The book's argument is built around detailed analyses of several separate print series: Picasso's illustrations for Ovid's Metamorphoses, the etchings of the Vollard Suite, and The Minotauromachy. Common to all of them, the book shows, is a strong engagement not only with the classical, but with the viewer. In the latter, Picasso's prints are clearly at odds with the understanding of the relationship between classical art and its audience that prevailed throughout most of the nineteenth and twentieth centuries--an understanding that held the work's purported autonomy to mirror the viewer's own. By exposing that autonomy as a fantasy, Picasso opens the "classical" work and its viewer alike to the entanglements of desire and the dissolution of boundaries it inevitably brings. Much of the argument turns on close readings of key Surrealist texts by Georges Bataille, Michel Leiris, and Roger Caillois. Even more important, however, are the prints' numerous references, heretofore unnoticed, to specific works by, among others, Rubens, Rembrandt, and Goya. These references effectively create an alternative "classical" tradition out of which Picasso's etchings can be seen to have emerged. |
|
| |
|
|
| |
Искусство: Живопись, скульптура, архитектура, графика |
|
|
Категория: Научно-познавательная литература, Архитектура и строительство, Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Алпатов М.В., Ростовцев Н.Н
Издательство: Просвещение
Год издания: 1987
Количество страниц: 288
Язык: русский
Формат: PDF
|
Первая часть энциклопедической хрестоматии «Искусство» включает материалы по истории искусства Древнего мира, Средних веков и эпохи Возрождения. Знакомство со статьями и отрывками из книг крупнейших отечественных и зарубежных деятелей культуры, искусствоведов, писателей, историков, рассказывающих о наиболее ярких и характерных явлениях искусства этих эпох, окажет учителю помощь при подготовке к урокам изобразительного искусства, истории, литературы, факультативным занятиям по этим предметам и особенно по курсу «Мировая художественная культура». 3-е издание вышло в 1969 году
|
|
| |
|
|
| |
The Science of Leonardo: Inside the Mind of the Great Genius of the Renaissance |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Fritjof Capra
Издательство: Getty Publications
Год издания: 2007
isbn: 0385513909
Количество страниц: 252
Язык: english
Формат: PDF
|
Capra, author of the classic The Tao of Physics, makes the case in this fascinating intellectual biography for the great artist Leonardo being the unsung father of modern science. Drawing on approximately 6,000 pages and 100,000 drawings surviving from Leonardo's scattered notebooks, Capra explores the groundbreaking research of this quintessential Renaissance man. Illegitimate, born in a Tuscan village in 1452, Leonardo did not receive a classical education, a fact that, Capra notes, later freed him from the intellectual conventions of his time and allowed him to develop his own holistic, empirical approach to science. Apprenticed with Verrocchio in Florence around the age of 15, Leonardo became an independent artist when he was 25, but his intellectual appetites demanded more. He taught himself Latin and began the famous notebooks, a record of his artistic and scientific explorations. The recurring patterns he saw in nature led him to create what Capra calls a science of wholeness, of movement and transformation. Capra expresses his own intellectual kinship with Leonardo's multidisciplinary perspective on science, one that recognizes the fundamental interdependence of all natural phenomena—a view he sees as particularly relevant today. Illus. |
|
| |
|
|
| |
Roman Portraits in Context |
|
|
Категория: Всемирная история, древний мир, Историография, Этнография, Живопись, графика, скульптура, музеи, Зрелищные искусства, кино |
|
| |
| |
| |
|
Автор: Fejfer, Jane
Издательство: Walter de Gruyter
Год издания: 2006
isbn: 3110186640
Количество страниц: 592
Язык: english
Формат: PDF
|
No other monumental art form was so widely disseminated throughout the Roman Empire as the portrait statue, and its impact on city life was crucial. By combining a wide socio-historical perspective with a close reading of individual images, their setting, and their inscribed texts, this book suggests how to read the meaning of portraits, even the ones which have been irrevocably isolated from their original context and now adorn museum galleries. Key Features: start of a new series unique photographic material explanation of the social and political rhetorics of Roman portraits
|
|
| |
|
|
| |
The Art of Renaissance Europe: A Resource for Educators |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Metropolitan Museum of Art (March
Издательство: Metropolitan Museum of Art (March
Год издания: 2001
isbn: 0300088957
Количество страниц: 223
Язык: english
|
The book provides illustrations and discussions of works from the Metropolitan that embody the Renaissance interest in classical learning, fame, and beautiful objects. Texts explore the great cities and powerful personalities of the age.
|
|
| |
|
|
| |
ArtTalk, Student Edition |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Glencoe McGraw
Издательство: Glencoe
Год издания: 2004
isbn: 0078305993
Количество страниц: 406
Язык: english
Формат: PDF
|
The perfect blend of art criticism, art history, aesthetics, and studio production.
ArtTalk has expanded its coverage of art history, strengthened its technology integration features, and placed more emphasis on the performing arts - all while maintaining its focus on a media approach to the elements and principles of art.
|
|
| |
|
|
|
ПОСТУПЛЕНИЯ
РУБРИКАТОР
Подробнее и с комментариями (0)