| |
Art Explained (Annotated Guides) |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Robert Cumming
Издательство: DK ADULT
Год издания: 2007
isbn: 0756628695
Количество страниц: 104
Язык: english
Формат: PDF
|
Taking an original photographic approach to look in detail at certain topics, these four fascinating books provide deeper understanding and richer enjoyment of the worlds of architecture, art, famous artists, and myths and legends. AUTHOR BIO: Robert Cumming has been the chairman of Christie's Education, London, studied art history at Cambridge University, and his books have won several international awards and include Just Look, Just Imagine, and Looking into Paintings.
|
|
| |
|
|
| |
Water Colours of Hitler: Recovered Art Works |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Enzo Colotti and Riccardo Mariani
Издательство: Fratelli Alinari
Год издания: 2005
isbn: 887292054X
Количество страниц: 80
Язык: english
Формат: PDF
|
Quite apart from the rather understandable curiosity they incite in viewers, Hitler's water colors offer considerable food for thought. An examination of these works offers some stimulating insights into the aesthetics of Nazism, particularly as to how the emphasis on classicism related to ideas about racial purity.
These banal little watercolors also offer a look at Hitler's own personal tastes, reflected in his obsession for paintings that were almost exact reproductions from life, with very little room for imagination or interpretation. With the 60th anniversary of the end of World War II coming up in 2005, this is sure to be a timely and important book. |
|
| |
|
|
| |
Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art |
|
|
Категория: Искусство. Культура » Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Thomas A. Green
Издательство: ABC-CLIO
Год издания: 1997
isbn: 087436986X
Количество страниц: 932
Язык: english
Формат: PDF
|
A comprehensive two-volume reference set providing an overview of the study of folklore, this text comprises over 200 articles contributed by European and North American scholars. The various forms of folk culture covered include the ballad, riddle, legend and myth, whilst character types include the hero, fool and trickster. Different methods of inquiry open to scholars are also acknowledged, and these include comparative mythology, fieldwork, linguistics and anthropology. The text takes account of both new approaches to folklore and more traditional subject areas, such as music, dance, storytelling, and folk art. Other topics range from "Festival" and "Folktale" to "Computer-Mediated Folklore" and "Postmodernism". Geographical regions covered include Eastern Europe, the former Soviet Union, the United Kingdom, Scandinavia, and the United States. |
|
| |
|
|
| |
Дали и Эшер |
|
|
Категория: Искусство. Культура » Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: N.Gregor
Издательство: Taschen
Год издания: 2010
Количество страниц: 329
Язык: русский
Формат: PDF
|
Она были так различны и похожи одновременно – великие революционеры Дали и Эшер. Различны манерами выполнения своих гениальных творений. Похожи единым стремлением ниспровергать обыденность, рутину, отыскивать в привычной обывательской мешанине дней взрывчатые образы, которые сметали сознание миллионов не хуже тонн динамита. Их идеи вскормили потом творчество тысяч и тысяч эпигонов, послужили хорошей закваской, на которой взошли новые ростки мирового художественного процесса. Альбом составлен из лучших работ гениев. Репродукции снабжены небольшим ( чтобы не обременять любителя искусства) вводным текстом. Сморите картины, слушайте музыку линий и оттенков! |
|
| |
|
|
| |
Gardner's Art through the Ages: A Global History, 13 edition |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Fred S. Kleiner
Издательство: Wadsworth
Год издания: 2010
isbn: 0495799866
Количество страниц: 1104
Язык: english
Формат: PDF
|
The most widely read history of art in the English language for more than 80 years, GARDNER has built its stellar reputation on the inclusion of the most significant images and monuments, discussions of these images in their full historical and cultural context, reproductions of unsurpassed quality, scholarship that is up-to-date and deep, and more help for students and instructors than any other survey text. The 13th Edition adds to this heritage with new images and new full-color reconstructions, as well as a unique ?scale? feature that helps students visualize the size of each work. |
|
| |
|
|
| |
Leonardo da Vinci in his own words |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Gramercy
Издательство: William Wray
Год издания: 2005
isbn: 0517225964
Количество страниц: 204
Язык: english
Формат: PDF
|
This book captures the beauty and genius of Leonardo da Vinci's writings, which are accompanied by his evocative sketches and drawings. Discover the farsightedness and brilliance of the mind that brought us some of the greatest artwork and most incredible inventions from the Mona Lisa to the hot air balloon. The text is concentrated on four themes:
Science—observations of the physical world
Mechanics—looking at wheels and weight, swimming and flight
Art—color, form, light, proportion, and more
Life—tales and allegories, and the nature and meaning of life
|
|
| |
|
|
| |
Rembrandt, Reputation, and the Practice of Connoisseurship |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Catherine Scallen
Издательство: Amsterdam University Press
Год издания: 2003
isbn: 9053566252
Количество страниц: 416
Язык: english
Формат: PDF
|
From 1870 to 1935, the first true catalogues raisonnés of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. This book, the first full-length study of this scholarly corpus, concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot, and Wilhelm Valentiner, whose articles and catalogues first shaped the modern conception of Rembrandt as a painter. In addition to analyzing their written work, Scallen addresses the social context of their connoisseurial practices, as shaped by their museum careers and their relationships with dealers and collectors.
|
|
| |
|
|
| |
Myth and Metamorphosis: Picasso's Classical Prints of the 1930s |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Lisa Florman
Издательство: MIT Press
Год издания: 2002
isbn: 0262561557
Количество страниц: 281
Язык: english
Формат: PDF
|
Previous studies of Picasso's involvement with the classical have tended to concentrate on the period immediately following the First World War, and to attribute that involvement to both the rise of political conservatism in France and the domesticating influence of the artist's marriage to Olga Koklova. Focusing instead on the later, classicizing prints of the 1930s, this book offers a radically different view of Picasso and the "classical"--a view that aligns his work much more closely with Surrealist, and specifically Bataillean, revisions of antiquity. The book's argument is built around detailed analyses of several separate print series: Picasso's illustrations for Ovid's Metamorphoses, the etchings of the Vollard Suite, and The Minotauromachy. Common to all of them, the book shows, is a strong engagement not only with the classical, but with the viewer. In the latter, Picasso's prints are clearly at odds with the understanding of the relationship between classical art and its audience that prevailed throughout most of the nineteenth and twentieth centuries--an understanding that held the work's purported autonomy to mirror the viewer's own. By exposing that autonomy as a fantasy, Picasso opens the "classical" work and its viewer alike to the entanglements of desire and the dissolution of boundaries it inevitably brings. Much of the argument turns on close readings of key Surrealist texts by Georges Bataille, Michel Leiris, and Roger Caillois. Even more important, however, are the prints' numerous references, heretofore unnoticed, to specific works by, among others, Rubens, Rembrandt, and Goya. These references effectively create an alternative "classical" tradition out of which Picasso's etchings can be seen to have emerged. |
|
| |
|
|
| |
Искусство: Живопись, скульптура, архитектура, графика |
|
|
Категория: Научно-познавательная литература, Архитектура и строительство, Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Алпатов М.В., Ростовцев Н.Н
Издательство: Просвещение
Год издания: 1987
Количество страниц: 288
Язык: русский
Формат: PDF
|
Первая часть энциклопедической хрестоматии «Искусство» включает материалы по истории искусства Древнего мира, Средних веков и эпохи Возрождения. Знакомство со статьями и отрывками из книг крупнейших отечественных и зарубежных деятелей культуры, искусствоведов, писателей, историков, рассказывающих о наиболее ярких и характерных явлениях искусства этих эпох, окажет учителю помощь при подготовке к урокам изобразительного искусства, истории, литературы, факультативным занятиям по этим предметам и особенно по курсу «Мировая художественная культура». 3-е издание вышло в 1969 году
|
|
| |
|
|
| |
The Science of Leonardo: Inside the Mind of the Great Genius of the Renaissance |
|
|
Категория: Живопись, графика, скульптура, музеи, Искусствоведение, культурология |
|
| |
| |
| |
|
Автор: Fritjof Capra
Издательство: Getty Publications
Год издания: 2007
isbn: 0385513909
Количество страниц: 252
Язык: english
Формат: PDF
|
Capra, author of the classic The Tao of Physics, makes the case in this fascinating intellectual biography for the great artist Leonardo being the unsung father of modern science. Drawing on approximately 6,000 pages and 100,000 drawings surviving from Leonardo's scattered notebooks, Capra explores the groundbreaking research of this quintessential Renaissance man. Illegitimate, born in a Tuscan village in 1452, Leonardo did not receive a classical education, a fact that, Capra notes, later freed him from the intellectual conventions of his time and allowed him to develop his own holistic, empirical approach to science. Apprenticed with Verrocchio in Florence around the age of 15, Leonardo became an independent artist when he was 25, but his intellectual appetites demanded more. He taught himself Latin and began the famous notebooks, a record of his artistic and scientific explorations. The recurring patterns he saw in nature led him to create what Capra calls a science of wholeness, of movement and transformation. Capra expresses his own intellectual kinship with Leonardo's multidisciplinary perspective on science, one that recognizes the fundamental interdependence of all natural phenomena—a view he sees as particularly relevant today. Illus. |
|
| |
|
|
|
ПОСТУПЛЕНИЯ
РУБРИКАТОР
Подробнее и с комментариями (0)