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The Metropolitan Museum Journal, v. 42/2007 |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Издательство: The Metropolitan Museum of Art
Количество страниц: 186
Язык: english
Формат: PDF
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Ancient Rome via the Erie Canal: The De Witt Clinton Vases ...
Authors
Beth Carver Wees
Artists
Bridport, Hugh (British, 1794–1870) | Eights, James (American, 1798–1882) | Flaxman, John (British, 1755–1826) | Fletcher, Thomas (American, 1787–1866) | Forbes, John W. (American, 1781–1864) | Gardiner, Sidney (American, 1787–1827) | Morse, Samuel F. B. (American, 1791–1872) | Piranesi, Giovanni Battista (Italian, 1720–1778) | Scott, Digby (American, active 1802–1811) | Storr, Paul | Wedgwood, Josiah (British, 1730–1795) |
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The Metropolitan Museum Journal, v. 43/2008 |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Издательство: The Metropolitan Museum of Art
Количество страниц: 214
Язык: english
Формат: PDF
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Adélaïde Labille-Guiard's Pastel Studies of the Mesdames de France.
Authors
Mary Sprinson de Jesús
Artists
De La Tour, Maurice Quentin (French, 1704–1788) | Labille-Guiard, Adélaïde (French, 1749–1803) |
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The Metropolitan Museum Journal, v. 30/1995 |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Издательство: The Metropolitan Museum of Art
Количество страниц: 104
Язык: english
Формат: PDF
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Addendum to 'Hubert Robert's Decorations for the Chateau de Bagatelle'.
Authors
Joseph Baillio
Artists
Callet, Antoine-Francois | Robert, Hubert (French, 1733–1808) |
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Claude Monet |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: Nathalia Brodskaia, Nina Kalitina
Издательство: Parkstone
Год издания: 2011
isbn: 190698123X
Количество страниц: 160
Язык: english
Формат: PDF
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For Claude Monet the designation 'impressionist' always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures... |
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Decorative Arts Style & Design from Classical to Contemporary |
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Категория: Искусство. Культура |
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Автор: Judith Miller
Издательство: A Dorling Kindersley Book
Год издания: 2006
isbn: 1405312904
Количество страниц: 442
Язык: english
Формат: PDF
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This is a comprehensive guide to the history and development of style and design from 1700 to the present day, from No.1 antiques and collectables expert Judith Miller. From priceless Oriental porcelain and Huguenot silver to exquisite Art Deco glass and minimalist contemporary chairs, explore the entire spectrum of decorative pieces including furniture, ceramics, silverware, glass, textiles, sculpture, clocks, and posters through the centuries. Discover how to identify the key features and motifs, materials and techniques that influenced design and their significance. Uncover the stories behind the key designers and craftsmen, and the movements they represent. Over 3,000 beautiful items reveal the style and beauty of furnishings and objects used to decorate interiors |
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Durer |
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Категория: Искусство. Культура » Живопись, графика, скульптура, музеи |
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Автор: Victoria Charles
Издательство: Parkstone International
Год издания: 2011
isbn: 978-1-78042-170-4
Количество страниц: 256
Язык: другой
Формат: PDF
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Der vielfach talentierte Albrecht Dürer nimmt einen bedeutenden Platz in der Geschichte der deutschen Kunst ein. In einer Zeit, in der die italienischen Künstler die klassischen Techniken der Ölmalerei, Bildhauerei und Architektur zu neuen Höhen perfektionierten und dadurch glaubten, dass sie das wahre Kunstmonopol besäßen, widmete Dürer sich einem eher vernachlässigten Medium, dass nur im Buchdruck zur Anwendung kam. |
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