Автор: Коллектив
Издательство: Harvard University Asia Center
Год издания: 2006
isbn: 0814778968
Количество страниц: 677
Язык: english
Формат: PDF
"The stereotype is utterly entrenched: Emperor Huizong (r. 1100–1125) devoted himself to painting birds and flowers and to producing calligraphy in his distinctive calligraphic style in the years that the Jurchen peoples pressed down on China’s northern border. Neglecting his duties, he abdicated just in time to see north China fall to the Jurchen armies. "Almost every point, this pathbreaking volume contends, is wrong. Huizong was completely committed to governing his empire. Yes, his concept of governance differed from modern understandings; ritual and music occupied a central place, but he tried to implement real-world reforms. Huizong’s ministers extended the New Policies of the Wang Anshi era (1069–1085) to a greater extent than historians have realized. Moreover, the emperor could not have devoted himself to the arts because he did not actually paint the paintings, do the calligraphy, or write the poems attributed to him (his assistants did and then stamped their work with the imperial seal).
Автор: Annemarie Schimmel
Издательство: New York University Press
Год издания: 1990
isbn: 0814778968
Количество страниц: 280
Язык: english
Формат: PDF
Annemarie Schimmel was born in Erfurt, Germany on April 7, 1922 and attended the University of Berlin and the University of Marburg. Schimmel has taught at the University of Ankara in Turkey, Harvard University, and Bonn University. Along with writing more than eighty books and essays, Schimmel has translated literature from the Arabic, Persian, Turkish and Sindhi languages into German and English. She was honored on her 75th birthday by having the Annemarie Schimmel Chair for Indo-Muslim Culture established at Bonn University.
Автор: Коллектмв
Издательство: Metropolitan Museum of Art
Год издания: 1998
isbn: 0300086326
Количество страниц: 320
Язык: другой
Формат: PDF
This work presents the most important calligraphic treasures from the Sabanci Collection, a private trove that includes Ottoman calligraphy dating from the 15th to the 20th century. It displays the work of nearly every important Ottoman calligrapher and all major types of the art. Included here are illuminated Korans and prayer manuals, decorated albums of calligraphic exercises, and "levha" - large-scale lettered compositions that were framed as decorations. In addition, there are 11 royal edicts, or "Ferman", each surmounted by the sultan's imperial monogram.
Автор: L. I. Pronenko
Издательство: Operina LLC
Год издания: 2010
isbn: 1934227056
Количество страниц: 252
Язык: english
Формат: PDF
Leonid Pronenko's work has been featured in more than twenty international exhibitions. He is the author of "Calligraphy for Everybody" (in Russian). Many of his students at the Kuban State University in Krasnodar have gone on to successful careers in design and calligraphy.
Автор: Lee Hendrix, Thea Vignau-Wilberg
Издательство: Thames & Hudson Ltd
Год издания: 2003
isbn: 0500511276
Количество страниц: 59
Язык: english
Формат: PDF
The court of the Holy Roman Emperor Rudolf II produced nothing more amazing than the "Mira Calligraphae Monumenta", a brilliant amalgamation of two arts - calligraphy and miniature painting. The project began when Georg Bocskay, a pre-eminent scribe) assembled a vast selection of contemporary and historic scripts ranging from the latest Italic and humanist writing to antique Roman and German Gothic. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects and other natural minutiae. This marvel of the Central European Renaissance is now in the collection of the J. Paul Getty Museum. A selection from its pages is presented here in this book, which will be of interest to scholars, collectors, bibliophiles and art historians.
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